... is a song by Priscilla Ahn ... the lyrics are so simple, yet beautiful ... It reminds me of the bubbles I saw at London Eye last night ... I hardly ever walked down that side of South Bank, as blue light is one of my favourite places in London, but we took a left turn at Waterloo and I saw this artist making the biggest bubbles ever ... maybe Changes need to happen for us to experience more beauty and to be singing "It's gonna be alright" ...
Just walk away.
I don't wanna be that girl again.
That says goodbye to another broken hearted boyfriend.
But I'll let this slide.
cause you're different from all of them.
Yeah...
I need to learn when I've had enough.
I know it's hard when the going gets tough.
But I don't want to stop this.
So promise me,
it's gonna be alright.
Someday you'll see, the hell is wrong with me.
Sometimes my mind is floating in another foreign galaxy.
I'll leave behind all the tarot cards of an unknown prophecy.
I need to learn when I've had enough.
I know it's hard when the going gets tough.
But I don't want to stop this.
So promise me,
it's gonna be alright.
So feel the waters and tell me,
what you wanna do to make it.
Cause i've got a piece of my mind,
saying its alright.
It's gonna be alright.
I'm going to try to stay as sane as i could possibly.
Big girls still cry so please be patient with me.
You and i were a match made at a birthday party
08 September 2009
28 August 2009
Dana Gioia ...
The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.
And one word transforms it into something less or other--
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.
Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper--
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.
The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always--
greater than ourselves and all the airy words we summon.
--
So much of what we live goes on inside–
The diaries of grief, the tongue-tied aches
Of unacknowledged love are no less real
For having passed unsaid. What we conceal
Is always more than what we dare confide.
Think of the letters that we write our dead.
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.
And one word transforms it into something less or other--
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.
Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper--
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.
The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always--
greater than ourselves and all the airy words we summon.
--
So much of what we live goes on inside–
The diaries of grief, the tongue-tied aches
Of unacknowledged love are no less real
For having passed unsaid. What we conceal
Is always more than what we dare confide.
Think of the letters that we write our dead.
26 August 2009
I am ...
... by John Clare
I am: yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am! and live with shadows tost
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And e'en the dearest--that I loved the best--
Are strange--nay, rather stranger than the rest.
I long for scenes where man has never trod;
A place where woman never smil'd or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below--above the vaulted sky.
I am: yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am! and live with shadows tost
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And e'en the dearest--that I loved the best--
Are strange--nay, rather stranger than the rest.
I long for scenes where man has never trod;
A place where woman never smil'd or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below--above the vaulted sky.
23 August 2009
If you forget me ...
... by Pablo Neruda ...
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
19 August 2009
Do not expect ...
... by Dana Gioia is absolutely stunning ... there are always "impenetrable things" in this chaotic world, but to be able to touch its surface briefly is like having a glimpse of heaven, where your soul longs to be ...
Do not expect that if your book falls open
to a certain page, that any phrase
you read will make a difference today,
or that the voices you might overhear
when the wind moves through the yellow-green
and golden tent of autumn, speak to you.
Things ripen or go dry. Light plays on the
dark surface of the lake. Each afternoon
your shadow walks beside you on the wall,
and the days stay long and heavy underneath
the distant rumor of the harvest. One
more summer gone,
and one way or another you survive,
dull or regretful, never learning that
nothing is hidden in the obvious
changes of the world, that even the dim
reflection of the sun on tall, dry grass
is more than you will ever understand.
And only briefly then
you touch, you see, you press against
the surface of impenetrable things.
Do not expect that if your book falls open
to a certain page, that any phrase
you read will make a difference today,
or that the voices you might overhear
when the wind moves through the yellow-green
and golden tent of autumn, speak to you.
Things ripen or go dry. Light plays on the
dark surface of the lake. Each afternoon
your shadow walks beside you on the wall,
and the days stay long and heavy underneath
the distant rumor of the harvest. One
more summer gone,
and one way or another you survive,
dull or regretful, never learning that
nothing is hidden in the obvious
changes of the world, that even the dim
reflection of the sun on tall, dry grass
is more than you will ever understand.
And only briefly then
you touch, you see, you press against
the surface of impenetrable things.
17 August 2009
If you close your eyes ...
... and take a deep breath,
to pause
and listen,
the endearing silence
is the sounds of whites
in the midst of tears.
to pause
and listen,
the endearing silence
is the sounds of whites
in the midst of tears.
11 August 2009
Song of Childhood
... by Peter Handke is the recurring poem in "Wings of Desire" ...
When the child was a child
It walked with its arms swinging,
wanted the brook to be a river,
the river to be a torrent,
and this puddle to be the sea.
When the child was a child,
it didn’t know that it was a child,
everything was soulful,
and all souls were one.
When the child was a child,
it had no opinion about anything,
had no habits,
it often sat cross-legged,
took off running,
had a cowlick in its hair,
and made no faces when photographed.
When the child was a child,
It was the time for these questions:
Why am I me, and why not you?
Why am I here, and why not there?
When did time begin, and where does space end?
Is life under the sun not just a dream?
Is what I see and hear and smell
not just an illusion of a world before the world?
Given the facts of evil and people.
does evil really exist?
How can it be that I, who I am,
didn’t exist before I came to be,
and that, someday, I, who I am,
will no longer be who I am?
When the child was a child,
It choked on spinach, on peas, on rice pudding,
and on steamed cauliflower,
and eats all of those now, and not just because it has to.
When the child was a child,
it awoke once in a strange bed,
and now does so again and again.
Many people, then, seemed beautiful,
and now only a few do, by sheer luck.
It had visualized a clear image of Paradise,
and now can at most guess,
could not conceive of nothingness,
and shudders today at the thought.
When the child was a child,
It played with enthusiasm,
and, now, has just as much excitement as then,
but only when it concerns its work.
When the child was a child,
It was enough for it to eat an apple, … bread,
And so it is even now.
When the child was a child,
Berries filled its hand as only berries do,
and do even now,
Fresh walnuts made its tongue raw,
and do even now,
it had, on every mountaintop,
the longing for a higher mountain yet,
and in every city,
the longing for an even greater city,
and that is still so,
It reached for cherries in topmost branches of trees
with an elation it still has today,
has a shyness in front of strangers,
and has that even now.
It awaited the first snow,
And waits that way even now.
When the child was a child,
It threw a stick like a lance against a tree,
And it quivers there still today.
When the child was a child
It walked with its arms swinging,
wanted the brook to be a river,
the river to be a torrent,
and this puddle to be the sea.
When the child was a child,
it didn’t know that it was a child,
everything was soulful,
and all souls were one.
When the child was a child,
it had no opinion about anything,
had no habits,
it often sat cross-legged,
took off running,
had a cowlick in its hair,
and made no faces when photographed.
When the child was a child,
It was the time for these questions:
Why am I me, and why not you?
Why am I here, and why not there?
When did time begin, and where does space end?
Is life under the sun not just a dream?
Is what I see and hear and smell
not just an illusion of a world before the world?
Given the facts of evil and people.
does evil really exist?
How can it be that I, who I am,
didn’t exist before I came to be,
and that, someday, I, who I am,
will no longer be who I am?
When the child was a child,
It choked on spinach, on peas, on rice pudding,
and on steamed cauliflower,
and eats all of those now, and not just because it has to.
When the child was a child,
it awoke once in a strange bed,
and now does so again and again.
Many people, then, seemed beautiful,
and now only a few do, by sheer luck.
It had visualized a clear image of Paradise,
and now can at most guess,
could not conceive of nothingness,
and shudders today at the thought.
When the child was a child,
It played with enthusiasm,
and, now, has just as much excitement as then,
but only when it concerns its work.
When the child was a child,
It was enough for it to eat an apple, … bread,
And so it is even now.
When the child was a child,
Berries filled its hand as only berries do,
and do even now,
Fresh walnuts made its tongue raw,
and do even now,
it had, on every mountaintop,
the longing for a higher mountain yet,
and in every city,
the longing for an even greater city,
and that is still so,
It reached for cherries in topmost branches of trees
with an elation it still has today,
has a shyness in front of strangers,
and has that even now.
It awaited the first snow,
And waits that way even now.
When the child was a child,
It threw a stick like a lance against a tree,
And it quivers there still today.
What we need is here ...
... is a little poem by Wendell Berry ... it is very postmodernism, but it is pretty beautiful and may sum up a little of the idea behind Wings of Desire (Der Himmel über Berlin) ...
Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here.
Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here.
02 August 2009
Dark August ...
So much rain, so much life like the swollen sky
of this black August. My sister, the sun,
broods in her yellow room and won't come out.
Everything goes to hell; the mountains fume
like a kettle, rivers overrun; still,
she will not rise and turn off the rain.
She is in her room, fondling old things,
my poems, turning her album. Even if thunder falls
like a crash of plates from the sky,
she does not come out.
Don't you know I love you but am hopeless
at fixing the rain? But I am learning slowly
to love the dark days, the steaming hills,
the air with gossiping mosquitoes,
and to sip the medicine of bitterness,
so that when you emerge, my sister,
parting the beads of the rain,
with your forehead of flowers and eyes of forgiveness,
all with not be as it was, but it will be true
(you see they will not let me love
as I want), because, my sister, then
I would have learnt to love black days like bright ones,
The black rain, the white hills, when once
I loved only my happiness and you.
~ By Derek Walcott
of this black August. My sister, the sun,
broods in her yellow room and won't come out.
Everything goes to hell; the mountains fume
like a kettle, rivers overrun; still,
she will not rise and turn off the rain.
She is in her room, fondling old things,
my poems, turning her album. Even if thunder falls
like a crash of plates from the sky,
she does not come out.
Don't you know I love you but am hopeless
at fixing the rain? But I am learning slowly
to love the dark days, the steaming hills,
the air with gossiping mosquitoes,
and to sip the medicine of bitterness,
so that when you emerge, my sister,
parting the beads of the rain,
with your forehead of flowers and eyes of forgiveness,
all with not be as it was, but it will be true
(you see they will not let me love
as I want), because, my sister, then
I would have learnt to love black days like bright ones,
The black rain, the white hills, when once
I loved only my happiness and you.
~ By Derek Walcott
28 July 2009
The Peace of Wild Things ...
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
~ Wendell Berry
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
~ Wendell Berry
03 July 2009
Being Boring ...
... by Wendy Cope ... sums up how I felt when my piano arrived at my flat this morning ... the stage of "being boring" sounds so appealing ...
If you ask me 'What’s new? ', I have nothing to say
Except that the garden is growing.
I had a slight cold but it’s better today.
I’m content with the way things are going.
Yes, he is the same as he usually is,
Still eating and sleeping and snoring.
I get on with my work. He gets on with his.
I know this is all very boring.
There was drama enough in my turbulent past:
Tears and passion—I’ve used up a tankful.
No news is good news, and long may it last,
If nothing much happens, I’m thankful.
A happier cabbage you never did see,
My vegetable spirits are soaring.
If you’re after excitement, steer well clear of me.
I want to go on being boring.
I don’t go to parties. Well, what are they for,
If you don’t need to find a new lover?
You drink and you listen and drink a bit more
And you take the next day to recover.
Someone to stay home with was all my desire
And, now that I’ve found a safe mooring,
I’ve just one ambition in life: I aspire
To go on and on being boring.
If you ask me 'What’s new? ', I have nothing to say
Except that the garden is growing.
I had a slight cold but it’s better today.
I’m content with the way things are going.
Yes, he is the same as he usually is,
Still eating and sleeping and snoring.
I get on with my work. He gets on with his.
I know this is all very boring.
There was drama enough in my turbulent past:
Tears and passion—I’ve used up a tankful.
No news is good news, and long may it last,
If nothing much happens, I’m thankful.
A happier cabbage you never did see,
My vegetable spirits are soaring.
If you’re after excitement, steer well clear of me.
I want to go on being boring.
I don’t go to parties. Well, what are they for,
If you don’t need to find a new lover?
You drink and you listen and drink a bit more
And you take the next day to recover.
Someone to stay home with was all my desire
And, now that I’ve found a safe mooring,
I’ve just one ambition in life: I aspire
To go on and on being boring.
15 June 2009
After the lunch ...
On Waterloo Bridge where we said our goodbyes,
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love
On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?
On Waterloo Bridge with the wind in my hair
I am tempted to skip. You're a fool. I don't care.
the head does its best but the heart is the boss-
I admit it before I am halfway across
~ Wendy Cope ...
Wouldn't it be a lovely date; a long long lunch/picnic at St. James Park, a walk across the river at Waterloo Bridge, and read this awfully sweet poem at the National Poetry Library at Royal Festival Hall?
the weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love
On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?
On Waterloo Bridge with the wind in my hair
I am tempted to skip. You're a fool. I don't care.
the head does its best but the heart is the boss-
I admit it before I am halfway across
~ Wendy Cope ...
Wouldn't it be a lovely date; a long long lunch/picnic at St. James Park, a walk across the river at Waterloo Bridge, and read this awfully sweet poem at the National Poetry Library at Royal Festival Hall?
03 June 2009
A date in row E ...
by Wendy Cope ...
First Date: He
She said she liked classical music.
I implied I was keen on it too.
Though I don’t often go to a concert,
It wasn’t entirely untrue.
I looked for a suitable concert
And here we are, on our first date.
The traffic was dreadful this evening
And I arrived ten minutes late.
So we haven’t had much time for talking
And I’m a bit nervous. I see
She is totally lost in the music
And quite undistracted by me.
In that dress she is very attractive —
The neckline can’t fail to intrigue.
I mustn’t appear too besotted.
Perhaps she is out of my league.
Where are we? I glance at the programme
But I’ve put my glasses away.
I’d better start paying attention
Or else I’ll have nothing to say.
First Date: She
I said I liked classical music.
It wasn’t exactly a lie.
I hoped he would get the impression
That my brow was acceptably high.
I said I liked classical music.
I mentioned Vivaldi and Bach.
And he asked me along to this concert.
Here we are, sitting in the half-dark.
I was thrilled to be asked to the concert.
I couldn’t decide what to wear.
I hope I look tastefully sexy.
I’ve done what I can with my hair.
Yes, I’m thrilled to be here at this concert.
I couldn’t care less what they play
But I’m trying my hardest to listen
So I’ll have something clever to say.
When I glance at his face it’s a picture
Of rapt concentration. I see
He is totally into this music
And quite undistracted by me.
First Date: He
She said she liked classical music.
I implied I was keen on it too.
Though I don’t often go to a concert,
It wasn’t entirely untrue.
I looked for a suitable concert
And here we are, on our first date.
The traffic was dreadful this evening
And I arrived ten minutes late.
So we haven’t had much time for talking
And I’m a bit nervous. I see
She is totally lost in the music
And quite undistracted by me.
In that dress she is very attractive —
The neckline can’t fail to intrigue.
I mustn’t appear too besotted.
Perhaps she is out of my league.
Where are we? I glance at the programme
But I’ve put my glasses away.
I’d better start paying attention
Or else I’ll have nothing to say.
First Date: She
I said I liked classical music.
It wasn’t exactly a lie.
I hoped he would get the impression
That my brow was acceptably high.
I said I liked classical music.
I mentioned Vivaldi and Bach.
And he asked me along to this concert.
Here we are, sitting in the half-dark.
I was thrilled to be asked to the concert.
I couldn’t decide what to wear.
I hope I look tastefully sexy.
I’ve done what I can with my hair.
Yes, I’m thrilled to be here at this concert.
I couldn’t care less what they play
But I’m trying my hardest to listen
So I’ll have something clever to say.
When I glance at his face it’s a picture
Of rapt concentration. I see
He is totally into this music
And quite undistracted by me.
29 May 2009
The sound of white ...
... by Missy Higgins
Like a freeze-dried rose, you will never be,
what you were, what you were to me in memory.
But if I listen to the dark,
you'll embrace me like a star,
envelop me, envelop me ...
If things get real for me down here,
promise to take me to before you went away -
if only for a day.
If things get real for me down here,
promise to take me back to the tune
we played before you went away.
And if I listen to, the sound of white,
sometimes I hear your smile, and breathe your light.
Yeah if I listen to, the sound of white ...
You're my mystery. One mystery. My mystery. One mystery.
My silence solidifies,
until that hollow void erases you,
erases you so I can't feel at all.
But if I never feel again, at least that nothingness
will end the painful dream, of you and me ...
If things get real for me down here, promise to take me to
before you went away, if only for a day.
If things get real for me down here, promise to take me back to
the tune we played before you went away.
I knelt before some strangers face,
I'd never have the courage or belief to trust this place,
But I dropped my head, 'cos it felt like lead,
And I'm sure I felt your fingers through my hair ...
Like a freeze-dried rose, you will never be,
what you were, what you were to me in memory.
But if I listen to the dark,
you'll embrace me like a star,
envelop me, envelop me ...
If things get real for me down here,
promise to take me to before you went away -
if only for a day.
If things get real for me down here,
promise to take me back to the tune
we played before you went away.
And if I listen to, the sound of white,
sometimes I hear your smile, and breathe your light.
Yeah if I listen to, the sound of white ...
You're my mystery. One mystery. My mystery. One mystery.
My silence solidifies,
until that hollow void erases you,
erases you so I can't feel at all.
But if I never feel again, at least that nothingness
will end the painful dream, of you and me ...
If things get real for me down here, promise to take me to
before you went away, if only for a day.
If things get real for me down here, promise to take me back to
the tune we played before you went away.
I knelt before some strangers face,
I'd never have the courage or belief to trust this place,
But I dropped my head, 'cos it felt like lead,
And I'm sure I felt your fingers through my hair ...
14 May 2009
Herman Wouk ...
... wrote this little chapter in Marjorie Morningstar ... there is something beautiful about this chapter, but also heartbreaking ... such lilacs are hard to come by ...
It was an avenue solidly arched and walled with blooming lilacs. The smell, sweet and poignant beyond imagining, saturated the air; it struck her senses with the thrill of music. Water dripped from the massed blooms on Marjorie's upturned face as she walked along the lane hand in hand with Wally. She was not sure what was rain and what was tears in her face. She wanted to look up at lilacs and rolling white clouds and patchy blue sky forever, breathing this sweet air. It seems to her that, whatever ugly illusions existed outside this lane of lilacs, there must be a God, after all, and that He must be good.
She hear Wally say, " I kind of thought you would like it." The voice bought her out of a near-trance. She stopped, turned, and looked at him. He was ugly, and young, and pathetic. He was looking at her with shining eyes.
"Wally, thank you." She put her arms around his neck - he was taller than she, but not much - and kissed him on the mouth. The pleasure of the kiss lay all in expressing her gratitude, and that it did fully and satisfying. It meant nothing else. He held her close while she kissed him, and loosed her the moment she stepped away. He peered at her, his mouth slightly open. He seemed about to say something, but no words came. They were holding each other's hands, and raindrops were dripping on them from the lilacs.
After a moment she uttered a low laugh. "Well, why do you look at me like that? Do I seem so wicked? You've been kissed by a girl before."
Wally said, putting the back of his hand to his forehand, "It doesn't seem so now." He shook his head and laughed. "I'm going to plant lilac lanes all over town." His voice was very hoarse.
"It won't help," she said firmly, putting her arm through his, and starting to walk again, "that was the first one and the last, my lad."
He said nothing. When they reached the end of the lane they turned back, and paced the length of it slowly. Rain dripped on the path with a whispering sound. "It's no use," she said after a while.
"What?"
"It's fading. I guess your nerves can't go on vibrating that way. It's becoming just a lane full of lilacs."
"Then let's leave." Wally quickened his steps, and they were out of the lane and in the bright open air again.
They drove downtown in sunlight along a drying roadway, with the windows open and warm fragrant air eddying into the Buick. "Come up and have lunch," she said when he stopped at her house.
"I have to go straight to the library, Marge. Term paper due Monday. Thanks anyway."
"Thanks for the lilacs, Wally. It was pure heaven."
She opened the door. Suddenly his hand was on her arm. "Maybe not," he said.
"She looked at him. "Maybe not what?"
"Maybe it wasn't the last. The kiss."
With a light laugh, she said, "Wally, darling, don't lose sleep over it. I don't know. Maybe when we find such lilacs again."
He nodded and drove off.
It was an avenue solidly arched and walled with blooming lilacs. The smell, sweet and poignant beyond imagining, saturated the air; it struck her senses with the thrill of music. Water dripped from the massed blooms on Marjorie's upturned face as she walked along the lane hand in hand with Wally. She was not sure what was rain and what was tears in her face. She wanted to look up at lilacs and rolling white clouds and patchy blue sky forever, breathing this sweet air. It seems to her that, whatever ugly illusions existed outside this lane of lilacs, there must be a God, after all, and that He must be good.
She hear Wally say, " I kind of thought you would like it." The voice bought her out of a near-trance. She stopped, turned, and looked at him. He was ugly, and young, and pathetic. He was looking at her with shining eyes.
"Wally, thank you." She put her arms around his neck - he was taller than she, but not much - and kissed him on the mouth. The pleasure of the kiss lay all in expressing her gratitude, and that it did fully and satisfying. It meant nothing else. He held her close while she kissed him, and loosed her the moment she stepped away. He peered at her, his mouth slightly open. He seemed about to say something, but no words came. They were holding each other's hands, and raindrops were dripping on them from the lilacs.
After a moment she uttered a low laugh. "Well, why do you look at me like that? Do I seem so wicked? You've been kissed by a girl before."
Wally said, putting the back of his hand to his forehand, "It doesn't seem so now." He shook his head and laughed. "I'm going to plant lilac lanes all over town." His voice was very hoarse.
"It won't help," she said firmly, putting her arm through his, and starting to walk again, "that was the first one and the last, my lad."
He said nothing. When they reached the end of the lane they turned back, and paced the length of it slowly. Rain dripped on the path with a whispering sound. "It's no use," she said after a while.
"What?"
"It's fading. I guess your nerves can't go on vibrating that way. It's becoming just a lane full of lilacs."
"Then let's leave." Wally quickened his steps, and they were out of the lane and in the bright open air again.
They drove downtown in sunlight along a drying roadway, with the windows open and warm fragrant air eddying into the Buick. "Come up and have lunch," she said when he stopped at her house.
"I have to go straight to the library, Marge. Term paper due Monday. Thanks anyway."
"Thanks for the lilacs, Wally. It was pure heaven."
She opened the door. Suddenly his hand was on her arm. "Maybe not," he said.
"She looked at him. "Maybe not what?"
"Maybe it wasn't the last. The kiss."
With a light laugh, she said, "Wally, darling, don't lose sleep over it. I don't know. Maybe when we find such lilacs again."
He nodded and drove off.
10 May 2009
Tulips ...
~ by Sheenagh Pugh is not only beautiful, but pretty much sums up how I feel and what I hope for most of the times ...
The tulips name for your home town
bloomed well for me this May.
The weather was kind to them:
no wind bowed them down,
and though for a long while they lay
under snow, they came through;
they were winners. They did their name
honour; they had shape and class.
They were not unlike you,
without the pain and the weakness
that makes us care so much more
for a man than for a flower.
The tulips name for your home town
bloomed well for me this May.
The weather was kind to them:
no wind bowed them down,
and though for a long while they lay
under snow, they came through;
they were winners. They did their name
honour; they had shape and class.
They were not unlike you,
without the pain and the weakness
that makes us care so much more
for a man than for a flower.
06 May 2009
touching your face ...
with that
silence
it creates
allowing
and
trusting
the allowed;
all that's
been said
and is saying
this time
breath
held
between us
each time
familiar
each time
new
~ by Tom Leonard ... is so fragile ... like the breath being held in mid-air ...
silence
it creates
allowing
and
trusting
the allowed;
all that's
been said
and is saying
this time
breath
held
between us
each time
familiar
each time
new
~ by Tom Leonard ... is so fragile ... like the breath being held in mid-air ...
27 April 2009
To a stranger ...
Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
~ by Walt Whitman
I had a big discussion about "The One" at a dinner the other night and despite what everyone said, I think this poem has lovingly summarised it in an indisputable way ...
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
~ by Walt Whitman
I had a big discussion about "The One" at a dinner the other night and despite what everyone said, I think this poem has lovingly summarised it in an indisputable way ...
23 April 2009
The world is a box ...
My heart is a box of affection.
My head is a box of ideas.
My room is a box of protection.
My past is a box full of years.
The future's a box full of after.
An egg is a box full of yolk.
My life is a box full of laughter.
And the world is a box full of folk.
~ Sophie Hannah
My head is a box of ideas.
My room is a box of protection.
My past is a box full of years.
The future's a box full of after.
An egg is a box full of yolk.
My life is a box full of laughter.
And the world is a box full of folk.
~ Sophie Hannah
20 April 2009
Daniel Gilbert ...
"Our ability to love beyond all measure those who try our patience and weary our bones is at once our most noble and most human quality" is definitely an ideal to aspire to but whether it is possible on earth is something debatable ...
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